翻訳と辞書
Words near each other
・ Muqan Qaghan
・ Muqarnas
・ Muqarnas (journal)
・ Muqarrab Khan
・ Muqarram Khan
・ Muqata'ah
・ Muqatil ibn sulayman
・ Muqatta'at
・ Muqbil
・ Muqbil bin Hadi al-Wadi'i
・ Muqdadiyah
・ Muqeem Khan
・ Muqeem Shah
・ Muqeible
・ Muqeible Airfield
Muqi Fachang
・ Muqim Arzani
・ Muqlus
・ Muqrin
・ Muqrin bin Abdulaziz
・ Muqrin ibn Zamil
・ Muqsha
・ Muqsu
・ Muqtada al-Sadr
・ Muqu Wasi
・ Muqudos Khan
・ Muqui
・ Muqui District
・ Muqui do Norte River
・ Muqui do Sul River


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Muqi Fachang : ウィキペディア英語版
Muqi Fachang

Muqi Fachang or Muxi Fachang (1210?-1269?) (; (日本語:牧谿 Mokkei)) was a Chinese Zen Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty. His surname is thought to be Xue; Muqi/Muxi was a ''hao'' or pseudonym, and Fachang a monastic name.
Muqi was perhaps from the city of Kaifeng in Henan Province or possibly Sichuan. A painting bears the inscription "monk from Shu (Sichuan)." He originally studied at the Wannian Monastery on Mount Wutai. Muqi was doubtless drawn to the beauty of West Lake in Hangzhou and refounded the abandoned monastery Liutong Temple there in 1215. He is said to have been the disciple of his abbot Wuzhun Shifan (1178–1269) and the painter Liang Kai. His works are considered among the most expressive of the Chán (aka Zen) style of painting.
Important works generally attributed to Mu Qi: presently in the Daitoku-ji in Kyoto are a triptych of Guan Yin flanked by a monkey family on one side and a crane on the other; ''Tiger''; ''Dragon''; and the much-reproduced ''Six Persimmons''. Other works sometimes attributed to Mu Qi or as being "in the style of Mu Qi" include various nature studies and a Luohan painting in the Seikado Museum.
The monastery would have its place in the subsequent golden age of Chinese monochrome ink painting inspired by Chan (Zen) Buddhism. Muqi's masterpiece was the White-robed Guanyin ((日本語:観音猿鶴図)) preserved in the Daitokuji temple in Kyoto, Japan. This painting and others were to have a profound influence on the subsequent development of ink painting in Japan itself. Muqi's artwork covered a wide range of subjects, including portraits, landscapes, and still lifes. The aesthetic ideals of Muqi and other Zen Buddhist artists were overshadowed by the emerging literati ideals of painting. Yet even in the Yuan and early Ming period his works were copied as evidenced by the c. 14th century copy of the "White Robed Guanyin" reproduced with this article and now preserved in Japan.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Muqi Fachang」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.